From one of the most unusual and distinctive writers working today, dubbed “the most daring and delightful novelist of his generation” by the Guardian, Will Self’s Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.
Self takes us with him: from the foibles of his typewriter repairman to the irradiated exclusion zone of Chernobyl, to the Australian outback, and to literary forms past and future. With his characteristic intellectual brio, Self aims his inimitable eye at titans of literature like Woolf, Kafka, Orwell, and Conrad. He writes movingly on W.G. Sebald’s childhood in Germany and provocatively describes the elevation of William S. Burroughs’s Junky from shocking pulp novel to beloved cult classic. Self also expands on his regular column in Literary Hub to ask readers, how, what, and ultimately why we should read in an ever-changing world. Whether he is writing on the rise of the bookshelf as an item of furniture in the nineteenth century or on the impossibility of Googling his own name in a world lived online, Self’s trademark intoxicating prose and mordant, energetic humor infuse every piece.
A book that examines how the human stream of consciousness flows into and out of literature, Why Read will satisfy both old and new readers of this icon of contemporary literature.
As the nation recovered from a cataclysmic war, two titans of design profoundly influenced how Americans came to interact with the built and natural world around them through their pioneering work in architecture and landscape design.
Frederick Law Olmsted is widely revered as America’s first and finest parkmaker and environmentalist, the force behind Manhattan’s Central Park, Brooklyn’s Prospect Park, Biltmore’s parkland in Asheville, dozens of parks across the country, and the preservation of Yosemite and Niagara Falls. Yet his close friend and sometime collaborator, Henry Hobson Richardson, has been almost entirely forgotten today, despite his outsized influence on American architecture—from Boston’s iconic Trinity Church to Chicago’s Marshall Field Wholesale Store to the Shingle Style and the wildly popular “open plan” he conceived for family homes. Individually they created much-beloved buildings and public spaces. Together they married natural landscapes with built structures in train stations and public libraries that helped drive the shift in American life from congested cities to developing suburbs across the country.
The small, reserved Olmsted and the passionate, Falstaffian Richardson could not have been more different in character, but their sensibilities were closely aligned. In chronicling their intersecting lives and work in the context of the nation’s post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our public and private spaces to this day.
After a sudden, devastating loss, Mara flees her family and ends up adrift in a wealthy seaside town with a dead cellphone and barely any money. Mired in her grief, Mara detaches from the outside world and spends her days of self-imposed exile scrounging for food and swimming in the night ocean. In her state of emotional extremis, the sea at the town’s edge is rendered bleak, luminous, implacable.
As her money runs out and tourist season comes to a close, Mara finds a job at the local wine store. There, she meets Simon, the shop’s soft-spoken, lonely owner. Confronted with the possibility of connection with Simon and the slow return of her desires and appetites, the reasons for her flight begin to emerge.
Reminiscent of works by Rachel Cusk, Jenny Offill, and Marguerite Duras, Tides is a spare, visceral debut novel about the nature of selfhood, intimacy, and the private narratives that shape our lives. A shattering and unforgettable debut.
Before there was a “Jane Roe,” the most important champions of reproductive rights were ordinary people working in their local communities. In A Woman’s Life Is a Human Life, historian Felicia Kornbluh delivers the untold story of everyday activists who defined those rights and achieved them, in the years immediately before and after Roe v. Wade made abortion legal under federal law.
A Woman’s Life Is a Human Life is the story of two movements in New York that transformed the politics of reproductive rights: the fight to decriminalize abortion and the fight against sterilization abuse, which happened disproportionately in communities of color and was central to an activism that was about the right to bear children, as well as not to. Each initiative won key victories that relied on people power and not on the federal courts. Their histories cast new light on Roe and constitutional rights, on the difficulty and importance of achieving a truly inclusive feminism, and on reproductive politics today.
This is a book full of drama. From dissident Democrats who were the first to try reforming abortion laws and members of a rising feminist movement who refashioned them, to the nation’s largest abortion referral service established by progressive Christian and Jewish clergy, to Puerto Rican activists who demanded community accountability in healthcare and introduced sterilization abuse to the movement’s agenda, and Black women who took the cause global, A Woman’s Life Is a Human Life documents the diverse ways activists changed the law and worked to create a world that would support all people’s reproductive choices.
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