Showing posts with label Michael Streissguth. Show all posts
Showing posts with label Michael Streissguth. Show all posts

Tuesday, August 8, 2023

On My Radar:

 Highways and Heartaches: How Ricky Skaggs, Marty Stuart, and Children of the New South Saved the Soul of Country Music

by Michael Streissguth

Hachette Books

Hardcover


From the publisher's website:



In a dim clearing off a county road in Kentucky sits a sagging outdoor stage buried in moss and dead leaves.  It used to be the centerpiece of carnival-like Sunday afternoons where local guitarists, fiddlers and mandolin players hammered out old mountain ballads and legends from the dawn of country music performed their classic hits. Most of the musicians who showed up have long since passed, but Nashville stars Ricky Skaggs and Marty Stuart survive.  They were barely teenagers in the early 1970s when they visited this stage in the care of legends Ralph Stanley and Lester Flatt, respectively. Skaggs and Stuart followed their bosses to dozens of stages throughout Appalachia and deeper into the American southland.  They were the children, absorbing the wondrous music and strange dramas around them as they became innovators and living symbols of country music.


Highways and Heartaches takes readers on the rural circuit Skaggs and Stuart traveled, where an acoustic sound first assembled by masters such as Bill Monroe, Earl Scruggs, and Mother Maybelle Carter ruled the day. The young men were heirs to a bluegrass tradition transmitted to them early in life. One part mountain soul and another African American–influenced rhythm, the music they received was alternately celebrated and neglected in the more than fifty years after the two met in 1971, but since then it has never stopped evolving and influencing the wider American culture thanks to Skaggs and Stuart and other actors in this book, such as Jerry Douglas, Tony Rice, Keith Whitley, Emmylou Harris, and Linda Ronstadt. Riveting portraits of Johnny Cash, Ralph Stanley, Lester Flatt and other heartland-born figures emerge, too.
 
Molded by forces in postwar southern culture such as racial conflict, fringe politics, evangelicalism, growing federal government influence, and stubborn patterns of Appalachian living and thinking, Skaggs and Stuart injected the spirit of bluegrass into their hard-wrought experiments in mainstream country music later in life, fueling the profitability and credibility of the fabled genre. Skaggs’s new traditionalism of the 1980s, integrating mountain instruments with elements of contemporary country music, created a new sound for the masses and placed him in the vanguard of Nashville’s recording artists while Stuart embraced seminal influences and attitudes from the riches of American culture to produce a catalog of significant recordings.
 
Skaggs and Stuart’s friendship took years to jell, but their similar pathways reveal a shared dedication to the soul of country music and highlight the curious day-to-day experiences of two lads growing up on the demanding rural route in bluegrass culture. Their journeys—populated by grizzled mentors, fearsome undertows, and cultural upheaval—influenced their creativity and, ultimately, cut life-giving tributaries in the ungainly, eternal story of country music.

Wednesday, September 25, 2019

On My Radar:

Johnny Cash at Folsom Prison: The Making of a Masterpiece, Revised and Updated
by Michael Streissguth
University Press of Mississippi
Trade Paperback

From the publisher's website:

On January 13, 1968, Johnny Cash (1932–2003) took the stage at Folsom Prison in California. The concert and the live album, At Folsom Prison, propelled him to worldwide superstardom. He reached new audiences, ignited tremendous growth in the country music industry, and connected with fans in a way no other artist has before or since. 
Johnny Cash at Folsom Prison: The Making of a Masterpiece, Revised and Updated is a riveting account of that day, what led to it, and what followed. Michael Streissguth skillfully places the album and the concert in the larger context of Cash’s artistic development, the era’s popular music, and California’s prison system, uncovering new angles and exploding a few myths along the way. Scrupulously researched, rich with the author’s unprecedented archival access to Folsom Prison’s and Columbia Records’ archives, Johnny Cash at Folsom Prison shows how Cash forever became a champion of the downtrodden, as well as one of the more enduring forces in American music. 
This revised edition includes new images and updates throughout the volume, including previously unpublished material.

Monday, February 24, 2014

Now in Paperback:

Outlaw: Waylon Willie, Kris, and the Renegades of Nashville
Michael Streissguth
It Books
Trade Paperback (available 2/25/14)

From the publisher's website:


The definitive story of how three country music legends -- Willie Nelson, Waylon Jennings, and Kris Kristofferson -- changed music in Nashville.

By the late 1960’s, young people from all over the country were streaming into Nashville, Tennessee. The city was the center of the booming country music industry and home to what was known as the Nashville Sound, characterized by slick production and an increasingly overused formula.

But three trailblazing artists would soon rock the foundations of Nashville’s music business. Tapping into the burgeoning underground scene and the traditions of civil rights leaders and antiwar protestors, Waylon, Willie and Kris resisted Nashville’s music-making machine and forged their own paths, creating music that was more personal, not easily categorized, and in the vein of rock acts of the time.


Drawing on extensive research and probing interviews with Kris Kristofferson, Rodney Crowell, Guy Clark, Cowboy Jack Clement and others, Michael Streissguth brings to life an incredible chapter in musical history and reveals for the first time a surprising outlaw zeitgeist in Nashville. Outlaw is a fascinating glimpse into three of the most legendary artists of our times.