On My Radar:

Bring It On Home: Peter Grant, Led Zeppelin, and Beyond — The Story of Rock's Greatest Manager
by Mark Blake
Da Capo Press
Hardcover

From the publisher's website:

Peter Grant is the most famous music manager of all time. Often acknowledged as the “fifth member of Led Zeppelin,” Grant’s story has appeared in fragments across countless Zeppelin biographies, but none has explored who this brilliant and intuitive manager yet flawed and sometimes dangerous man truly was. No one has successfully captured the scope of his personality or his long-lasting impact on the music business. Acclaimed author and journalist Mark Blake seeks to rectify that.

Bring It On Home is the first book to tell the complete uncensored story of this industry giant. With support from Grant’s family interviews with Led Zeppelin’s surviving band members, and access to Grant’s extensive archive and scores of unpublished material, including his never-before-published final interview, Blake sheds new light on the history of Led Zeppelin and on the wider story of rock music in the 1960s and ’70s.

Full of new insights into Grant’s early life as an actor, wrestler, and road manager for rock ‘n’ roll pioneers Chuck Berry and Little Richard; the formation of Led Zeppelin; his seclusion following the demise of the band; and his recovery from substance abuse, Bring It On Home reveals a man who, after the extraordinary highs and lows of a career in rock ‘n’ roll, found peace and happiness in a more ordinary life. It is a celebration, a cautionary tale, and a compelling human drama.

On My Radar:

Pretend You're in a War: The Who & the Sixties
by Mark Blake
Aurum Press Ltd.
Hardcover

From the book publicity:

Pete Townshend was once asked how he prepared himself for The Who's violent live performances. His answer? "Pretend you're in a war." For a band as prone to furious infighting as it was notorious for acts of 'auto-destructive art', this could have served as a motto. Between 1964 and 1969, The Who released some of the most dramatic and confrontational music of the decade, including 'I Can't Explain', 'My Generation' and 'I Can See For Miles'. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And - in the uneasy alliance between art-school experimentation and working-class ambition - he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the 'rock opera' was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied - more so than any of their peers - the guiding spirit of the age: war.