All the Art That's Fit to Print (And Some that wasn't): Inside the New York Times Op-Ed Page
by
Jerelle Kraus
Columbia University Press
Trade Paperback
From the
publisher website:
All the Art That's Fit to Print reveals the true
story of the world's first Op-Ed page, a public platform that—in
1970—prefigured the Internet blogosphere. Not only did the New York Times's
nonstaff bylines shatter tradition, but the pictures were
revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art
became a globally influential idiom that reached beyond narrative for
metaphor and changed illustration's very purpose and potential.
Jerelle
Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds
that of any other art director or editor, unveils a riveting account of
working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury’s Garry Trudeau, and why reporter Syd Schanburg—whose story was told in the movie The Killing Fields—stated
that he would travel anywhere to see Kissinger hanged, as well as
Kraus's tale of surviving two and a half hours alone with the dethroned
peerless outlaw, Richard Nixon.
All the Art features a
satiric portrayal of John McCain, a classic cartoon of Barack Obama by
Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry
Blitt. But when Frank Rich wrote a column discussing Hillary Clinton
exclusively, the Times refused to allow Blitt to portray her.
Nearly any notion is palatable in prose, yet editors perceive pictures
as a far greater threat. Confucius underestimated the number of words an
image is worth; the thousand-fold power of a picture is also its curse.
Op-Ed's
subject is the world, and its illustrations are created by the world's
finest graphic artists. The 142 artists whose work appears in this book
hail from thirty nations and five continents, and their 324
pictures-gleaned from a total of 30,000-reflect artists' common drive to
communicate their creative visions and to stir our vibrant
cultural-political pot.
About the Author
Jerelle Kraus is the award-winning art director whose thirty-year tenure at the New York Times includes a record thirteen years at Op-Ed. She also worked as an art director at Time and as the art director of Ramparts magazine and of Francis Ford Coppola's City magazine.
The New Yorker and the New York Times Magazine
have published Kraus's writing, including an "On Language" column that
subbed for William Safire. Fluent in four languages, she was educated at
Swarthmore and Pomona colleges and at l'École des Beaux-Arts in Paris.
She received an MA from the University of California, Berkeley, and a
Fulbright scholarship to Munich. Her Web site is jerellekraus.com.